Gonzalo Maciel (1990, Buenos Aires) is a light artist, curator, cultural manager, and teacher. He worked for seven years at the National Arts Fund (FNA), where he held various roles that gave him a broad understanding and experience of the country's art scene and dynamics: he curated eight heritage exhibitions, created and coordinated the FNA Visual Arts Competition, produced numerous exhibitions for FNA competitions, served as a jury assistant for the Venice Biennale, worked in the FNA's communications department, and managed numerous art workshops and clinics throughout the country with prominent Argentine artists.

She holds a degree in Art History from UMSA (2013). Her primary training as an artist stems from the artist workshops and programs she has participated in: Di Tella (2024), EPAC at ArtexArte (2014), PAC with Gachi Prieto (2013), and Casa Escuela de Arte (2007). She has also participated in workshops with Eduardo Stupía, Rafael Cippolini, Rodrigo Alonso, Dolores Casares, Leonel Luna, and Gabriel Valansi, among others.

He was a recipient of the Creation Grant (2021) and was selected for the Sacred Art Biennial (2023), Bahía Blanca Biennial (2019 and 2017), and Young Art Biennial (2017). He has also participated in numerous competitions, including the National Salon (2023), the Fortabat Prize (2023), the UADE Prize (2023), the Itaú Prize (2022, 2021, and 2019), and the Feliz Amador Salon (2021, 2020, and 2018), among others.

Her solo exhibitions typically feature intimate installations where color invades the space, creating an immersive and hypnotic effect. Notable examples include: 'Skies of Mars' curated by Eduardo Stupia, Ungallery, CABA (2022); and 'Horizon Project' curated by Laeticia Mello, Ziliensky Gallery, BCN (2019). She has also participated in numerous group exhibitions in Buenos Aires, New York, and Barcelona.