This series marks the moment when light began to emerge as the central plastic resource of my practice. It all stems from the desire to recreate a sunset and capture that hypnotic sensation that arises when contemplating the horizon, especially during that specific time of day. Faced with such immensity, a mixture of contemplation and existential inquiry appears, as if the open sky generated a sense of temperance and lightness that is difficult to explain.

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The inaugural work of this research is Portion of Sky. From that piece onward, I began an exploration into how to translate the colors of the horizon using artificial light. Fascinated by the nuances present during twilight, I started investigating the physics of light, the physiology of vision, and color theory to understand the origins and behavior of those tones. This journey led me to work with the three primary colors of light: red, green, and blue (RGB). Through their combination, it is possible to construct a wide chromatic range capable of evoking the nuances of the firmament. Since then, I began developing lighting devices that allow me to build my own palette of "light-colors" and recreate chromatic variations inspired by the shifting sky.

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Certain works in the series arise from the question of whether it would be possible to gather all the colors of the horizon into a single place. These installations function as attempts to condense that visual experience within a specific space, inviting the viewer to pause before a daily phenomenon and rediscover it from a more intense sensory dimension. The contemplation of the horizon also serves as a space for reflection; before the open sky, the questions that have always accompanied humanity arise: Where do we come from? Who are we? Where are we going? These are inquiries that often surface while observing the line where heaven and earth seem to meet.

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Within this research, I also develop photographic explorations created by projecting RGB LED light onto various surfaces. These images function as memories of landscapes that seem to have been generated from dreams. The camera records contrasts and colors that the human eye cannot always perceive, revealing unexpected chromatic combinations that transform photography into a tool capable of capturing those ephemeral flashes. The works that comprise this initial production thus function as attempts to gather the colors of the horizon and transform that natural phenomenon into an immersive, contemplative, and meditative experience. Artificial light becomes a way to reconstruct the sky and an invitation to stand still before its immensity.